Buying new digital pantograph designs is often as enticing as picking up a fat quarter—or ten!—at your local quilt shop. They can be oh-so-appealing, but which ones will you actually use the most in your business?

I can remember designs that I fell in love with and purchased on the spot, yet never actually used on a client’s quilt top. Conversely, there were several that I used over and over again, wringing every drop of value out of them. I developed my favorites based on ease of use and versatility.  Of course, a longarm quilter's personal style and preferences can certainly play a part when making recommendations to clients, as well.

It’s been a while since I’ve quilted for others, so I thought it would be fun to ask other quilters what their current go-to pantographs are. I invited quilters from the Longarm League membership—along with other quilters who follow our social media accounts or subscribe to our email...

The inspiration for the Groove design came from the subtle curve of lava lamps. I really liked the idea of non-symmetrical, gentle curves contained within the straight lines and perpendicular angles that "house" the lava lamp shapes.

Do I detect a "mid-century modern" vibe here? It wasn't intentional but I also wouldn't be mad about that. Not one bit!

The orientation of the design is more of a vertical nature, which just doesn't seem to be as common with digital edge-to-edge options. Much like the 'positive', sometimes you want to ac-cen-tuate the vertical! 

The repeated motif is staggered, meaning that when it comes to setting it up with your computerized system, you will not need to offset. Just close the gap between the rows and you'll be good-to-go. The stitch path can be viewed in the video at the top of this post. There is some backtracking, but overall it has a smooth and fluid stitch path.

This design...

In our Longarm League private community, we have a forum where we can ask each other for pantograph suggestions for clients' quilts. Over and over again, I find myself recommending really simple designs like straight lines, Good Vibrations, Rumble, Wishbone, Soho, etc.

I wanted to make a REALLY simple design that also looked... organic. Blackbird is what resulted.

I simultaneously really like this one and am—what's the word, embarrassed?—by its simplicity.

Hey, they don't all have to be head-scratchers. You know, those designs that you have to stare at to find the repeat or are mesmerized by the complexity of the design. This one is pretty darn straightforward.

I'll give you four great reasons why we shouldn't shy away from offering simple designs to our clients:

1. FAST - I loaded up this up baby quilt and stitched it all out in an hour's time.
2. EFFICIENT - My machine uses the...

Longarm League member Rebecca Grace Quilting (if you like reading quilting blogs, you'll love Rebecca's!) sent me an email a while back with a photo of home dec fabric, noting the design would make a great digital pantograph design.

I agreed wholeheartedly and tucked it away in my brain to think about later. You see, being the "Commish" of the Longarm League means that 95+% of the time, I'm working on all things other than designing pantographs. I love this part of the job, though, and hope to devote more time to it in the future.

 The leafy design was very appealing to me, but the biggest problem was that I could NOT figure out what portion of the design I could repeat to get the overall effect. It took a few days of playing around in Art and Stitch and doodling on my Remarkable tablet to crack the code.

Once that code was cracked, the other major dilemma was to figure out how to sequence the stitch path so that it'd make...

You know what they say about April showers... they bring May Flowers!

April was a dreary, wet month where I live in Central Iowa and it's actually continuing into the first few days of May. But we have hope that sunshine and flowers will appear very soon!

I really love Scandinavian design and I hope that comes across in this simple tulip-esque pantograph. To jazz it up just a bit, I added a scalloped edge to the repeat. It should be a great choice for the upcoming spring quilts in your queue. 

May Flowers could be used both on traditional and modern quilts—the scale is adaptable, as well. I'll give you my details for this sample below.

 
Here are my specifics using a baby-sized sample in the photos (45" x 45" quilt size):
Row height: 3"
Gap: -1"*
Pattern height: 4"
Offset: 50%
Backtracking: none

*Gap refers to the space I'm allowing between rows. I use an Intelliquilter for my computerized quilting, and because that...

New SewTites Magnum Video Tutorial

Let's cut to the chase: Shelly Moore of Ma Tante Quilting recorded the following extremely helpful video. I'd definitely recommend watching it if you are considering investing in SewTites Magnums.

Loading is so important

One of the first and most important decisions that a longarm quilter needs to make is how they're going to load a quilt to their frame.

Pinning is how a lot of us first learn, but it's time consuming, may cause you to snag/tear clothing, and can be painful if you catch your skin, and might even cause you to bleed on a quilt. Other systems like a dowel-and-clamp system are faster, but can be bulky and affect the precision of tricky or dense pantographs when you're a computerized quilter like me. Some quilters lack the hand strength they need to do the clamping, and when working with bulky fabrics like Minky, clamping becomes that much more difficult. Some clamping systems that aren't necessarily heavy or...

This is not a drill. I was able to work on a quilt top I started making for myself back in 2017.

About a month ago, I was invited to a quilting retreat at Stitch Supply Co. in Altoona, Wisconsin. I had the best time! It really supercharged my desire for patchwork again. Now I want to finish WIPs and start new projects with the fabulous fabric I bought there.

For this project, the quilt pattern I used is called Mini Modern Heart. It's actually a foundation paper piecing block I designed to use up small scraps of fabric. It certainly is a good pattern for doing just that!

My original intention was to make one block per day for a year—but, you know—life happened and I came up WAYYYY short of my goal.

At the retreat, I decided to wrap-up the project once and for all. I abandoned my original plan (365 blocks) when I realized that I had enough blocks to make a nicely sized lap quilt.

And guess what?! I ended up with 11 columns of...

Quilty friends, naming designs is hard work. I was struggling to come up with a name for this design so I texted my mom and sister a photo of the finished sample, asking them for help. My sister's first response was Beleaf It Or Not and I laughed out loud so much that I had to go for it. 

Seinfeld—because of the huge influence in our lives—has become part of our shared language. 'Beleaf It or Not' immediately reminded me of the episode that features George's outgoing answering machine message where he changed the words to the song "Believe It or Not". 

THAT is what makes me giggle every time I think of it.

When I design edge to edge pantographs, my number one goal is to create interesting textures. I really love the repeated round shapes of the "leaves"—or as quilters would call them, feathers.

 
Here are my specifics using a baby-sized sample in the photos (45" x 45" quilt size):
Row height: 5.94"
Gap: -4.86"*
Pattern...

 Mako

I promise I'm not six years old and obsessed with sharks... even though both of these designs happen to named after sharks. I don't see it becoming a trend.

I came up with this design about a year ago. I originally named it Shark Smile because

1. the repeat looks like a shark's tooth
2. there's a song called "Shark Smile" from a band I love called Big Thief. Click here to listen to the song.
   
   

For fear that this blog post could start to remind you of those recipes you find online with an ENTIRE personal story attached {when you just want the recipe}, I do have a brief anecdote.

We saw Big Thief perform "Shark Smile" in Des Moines several years ago. The venue was so small and intimate. At one point of the song, the lyrics are "...as we went howling through the edge of south Des Moines". After the song ended, the lead singer talked about being nervous to sing that line in front of us—I don't know if she...

Quilty friends, this design is called Sprawl. 

I love, love, love using echoed lines and shapes to make a textural impact. You can see that I used that technique with this design while also incorporating a small curve. 

 
Here are my specifics using a baby-sized sample in the photos (45" x 50" quilt size):
Row height: 3"
Gap: -1.478"*
Pattern height: 4.478"
Offset: 50%
Backtracking: minimal

*Gap refers to the space I'm allowing between rows. I use an Intelliquilter for my computerized quilting, and because that measurement is quantifiable, I provide it here.

The row height PLUS the noted gap amount totals the "pattern height". If you don't use an Intelliquilter, you'll likely want to start sizing with the pattern height number and adjust the spacing between rows to your liking. You may not have a measurement available that tells you the measurement between rows, and that's okay. 

We've begun adding a PDF to our zipped file so...